The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room’s reverb character. The stepless Space control lets you fade between dozens of different, carefully tuned room models, automatically choosing a matching decay time for a natural-sounding result. Enter FabFilter Pro-R.įabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for - without requiring a degree in reverb science. At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. A great reverb sounds natural and sits in the mix perfectly. Pro-RĪs one of the most used effects in the audio world, reverbs come in all forms and flavors.
FABFILTER FABFILTER VOLCANO FULL
Then there’s the new High Quality (4x oversampling) processing mode, four interface size options, the ability to rename modulation sources, and a full overhaul of the preset library, taking advantage of Volcano 3’s new filter types and features.Pro-Q 2 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer. Many of these are to be found in the modulation section, such as adjustable Attack, Decay, and Release curves for the Envelope Generator, a transient detection mode for the Envelope Follower, and the new Slider - a vertical-only variant on the XY Controller. Each filter also now incorporates its own variable saturation circuit, further increasing the character-shaping potential, along with a 6 dB/octave slope option, and independent volume and pan controls bring a whole new level of depth to parallel routing setups.īeyond its stunning redesigned interface and versatile new filter types, Volcano 3 is erupting with useful new functional additions, refinements, and tweaks. Just like the original trio, these are all highly non- linear for a palpably analog sound, and can be switched through an array of sonic colorations using Volcano’s transformative Style settings. Expanding on the already- established High-, Low-, and Band-Pass types, Volcano 3 more than doubles the options with the addition of vintage-style Bell, High/Low Shelf, Notch, and All-Pass modes. The beating heart of Volcano is, of course, its bank of four analog-modeled filters. The darker color scheme is easier on the eye over long sessions, and when it’s time to really get into details, the gorgeous new full screen mode maximizes the filtering workspace.
Modulation signals are now visualized at both sources and targets with animated collars, while the source flow area gives an eye- catching overview of all active modulations, and floating slot panels enable collective balancing of all sources modulating the currently selected control. The new filter display speeds up workflow with the selection of multiple filters at once, and presents a unified response curve with stereo separation, as well as a high-resolution spectrum display. With its smooth workflow, no-limits flexibility, and dazzlingly authentic analog sound, it’s the first-call plugin for creative filtering.īeautiful new interface and improved workflowįabFilter has redesigned Volcano 3 from the ground up to make it more intuitive and immediate, while at the same time introducing a wealth of new features, and dramatically improving visualization of audio and modulation signals. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. AMSTERDAM, The Netherlands, November 18, 2021.
0 kommentar(er)
